May 1 (Reuters) - Post position for Saturday's 139th Kentucky Derby at Churchill Downs after Wednesday's draw (listed as barrier, HORSE, jockey, trainer) 1. BLACK ONYX, Joe Bravo, Kelly Breen 2. OXBOW, Gary Stevens, D. Wayne Lukas 3. REVOLUTIONARY, Calvin Borel, Todd Pletcher 4. GOLDEN SOUL, Robby Albarado, Dallas Stewart 5. NORMANDY INVASION, Javier Castellano, Chad Brown 6. MYLUTE, Rosie Napravnik, Tom Amoss 7. GIANT FINISH, Jose Espinoza, Tony Dutrow 8. GOLDENCENTS, Kevin Krigger, Doug O'Neill 9. OVERANALYZE, Rafael Bejarano, Todd Pletcher 10. PALACE MALICE, Mike Smith, Todd Pletcher 11. ...
Thứ Sáu, 3 tháng 5, 2013
Thứ Tư, 1 tháng 5, 2013
Biden: Abused women fear being raped by the system
May 1 (Reuters) - Post position for Saturday's 139th Kentucky Derby at Churchill Downs after Wednesday's draw (listed as barrier, HORSE, jockey, trainer) 1. BLACK ONYX, Joe Bravo, Kelly Breen 2. OXBOW, Gary Stevens, D. Wayne Lukas 3. REVOLUTIONARY, Calvin Borel, Todd Pletcher 4. GOLDEN SOUL, Robby Albarado, Dallas Stewart 5. NORMANDY INVASION, Javier Castellano, Chad Brown 6. MYLUTE, Rosie Napravnik, Tom Amoss 7. GIANT FINISH, Jose Espinoza, Tony Dutrow 8. GOLDENCENTS, Kevin Krigger, Doug O'Neill 9. OVERANALYZE, Rafael Bejarano, Todd Pletcher 10. PALACE MALICE, Mike Smith, Todd Pletcher 11. ...
Biden: Abused women fear being raped by the system
May 1 (Reuters) - Post position for Saturday's 139th Kentucky Derby at Churchill Downs after Wednesday's draw (listed as barrier, HORSE, jockey, trainer) 1. BLACK ONYX, Joe Bravo, Kelly Breen 2. OXBOW, Gary Stevens, D. Wayne Lukas 3. REVOLUTIONARY, Calvin Borel, Todd Pletcher 4. GOLDEN SOUL, Robby Albarado, Dallas Stewart 5. NORMANDY INVASION, Javier Castellano, Chad Brown 6. MYLUTE, Rosie Napravnik, Tom Amoss 7. GIANT FINISH, Jose Espinoza, Tony Dutrow 8. GOLDENCENTS, Kevin Krigger, Doug O'Neill 9. OVERANALYZE, Rafael Bejarano, Todd Pletcher 10. PALACE MALICE, Mike Smith, Todd Pletcher 11. ...
Chủ Nhật, 14 tháng 4, 2013
Ballet mum being kept on her toes
Olivia Bell with her daughter Anouska and twin sons Gabriel and Rafael. Picture: Sam Ruttyn Source: The Daily Telegraph
EVERY mum knows returning to full-time work keeps you on your toes, but Olivia Bell will be doing it en pointe when she steps onto the stage at the Sydney Opera house later this month.
Bell, a principal artist with the Australian Ballet, is about to return to performing after taking a year off following the birth of her daughter, Anouska.
With 3 1/2 year old twin boys, Gabriel and Rafael, "co-operation" is a word Bell uses frequently to cajole the boisterous duo through their day as she prepares for the Australian Ballet's triple bill Vanguard opening on April 30.
"It is a lot of organising on my behalf and also planning ahead with the ballet," Bell said. "Yes, it's a challenge but at the same time, the Australian Ballet are very accepting and very flexible at managing mothers now.
"Sadly they would have lost a number of dancers had they not put in place such a wonderful maternity policy that they have now."
Combining motherhood and a stellar classical ballet career spanning nearly two decades has helped to give Bell some life balance.
"You have to find balance in your life, it (motherhood) also brings joy and fulfils you on another level," she said.
When Bell performs in the power-packed role of Choleric, in the Balanchine classic The Four Temperaments, it will be the first time her children have seen her perform on stage. And, while she started dance classes when she was just a couple of years older than her twins, she is keen to let her children follow their hearts.
"I hope that they find, like I have, something that can be a job and a love," she said.
Ballet mum being kept on her toes
Olivia Bell with her daughter Anouska and twin sons Gabriel and Rafael. Picture: Sam Ruttyn Source: The Daily Telegraph
EVERY mum knows returning to full-time work keeps you on your toes, but Olivia Bell will be doing it en pointe when she steps onto the stage at the Sydney Opera house later this month.
Bell, a principal artist with the Australian Ballet, is about to return to performing after taking a year off following the birth of her daughter, Anouska.
With 3 1/2 year old twin boys, Gabriel and Rafael, "co-operation" is a word Bell uses frequently to cajole the boisterous duo through their day as she prepares for the Australian Ballet's triple bill Vanguard opening on April 30.
"It is a lot of organising on my behalf and also planning ahead with the ballet," Bell said. "Yes, it's a challenge but at the same time, the Australian Ballet are very accepting and very flexible at managing mothers now.
"Sadly they would have lost a number of dancers had they not put in place such a wonderful maternity policy that they have now."
Combining motherhood and a stellar classical ballet career spanning nearly two decades has helped to give Bell some life balance.
"You have to find balance in your life, it (motherhood) also brings joy and fulfils you on another level," she said.
When Bell performs in the power-packed role of Choleric, in the Balanchine classic The Four Temperaments, it will be the first time her children have seen her perform on stage. And, while she started dance classes when she was just a couple of years older than her twins, she is keen to let her children follow their hearts.
"I hope that they find, like I have, something that can be a job and a love," she said.
Thứ Năm, 4 tháng 4, 2013
Is 'being yourself' enough to get into college?
One scorned high schooler blasts the admissions process for false advertising
With every April comes a fresh batch of disappointed high school seniors scorned by the increasingly competitive college admissions process. Some take this in quiet stride. Others take to the pages of a major national publication.
Pittsburgh high school senior Suzy Lee Weiss has written an op-ed in the Wall Street Journal lashing out at the colleges that rejected her. Though she admits she is suffering from "sour grapes," she feels it is necessary to call out colleges for not being more honest about their acceptance criteria. Their crime? Telling applicants to "just be yourself."
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This advice only works, Weiss writes, when you have "nine extracurriculars, six leadership positions, three varsity sports, killer SAT scores, and two moms." She adds that she "would have gladly worn a headdress to school," and come out of the closet for the sake of fulfilling colleges' goal of "Diversity!" She also writes that she wishes she had mimicked some of her savvier peers who created a fake charity to become more appealing applicants. "As long as you're using someone else's misfortunes to try to propel yourself into the Ivy League," she writes, "you're golden."
"This piece is a good old fashioned spiteful rant," writes Caity Weaver at Gawker. But why did she accept the "be yourself" mantra literally? "Being yourself is not a talent," writes Weaver. "If you worked two full-time jobs all the way through high school and one of them was 'being yourself' and the other was 'trying your best,' you actually worked zero jobs." Weaver points out that Weiss' complaint about needing "killer SAT scores" is actually "a very reasonable requirement for college admission." Even more galling is that Weiss' lesson from the "failed 'que sera sera' method of college admission" is not to work harder or become more involved in extracurriculars. Rather, Weiss' message is that "'it is unfairly easy for minorities and gay people and Ke$ha to 'be themselves' on their way into college.'"
SEE MORE: Legendary film critic Roger Ebert dies at age 70
What's especially odd in a rant against the college admissions process is a failure to criticize the preference given to legacy applicants. However, that might be a purposeful move not to bring attention to her own privileged connections. "Perhaps," writes Weaver, "her sister, Bari Weiss, former Wall Street Journal editorial features editor, talked her out of it."
Others argue that Weiss' piece should not be taken literally (as Weiss herself has since said), but read for it's sharp critique of how subjective and unpredictable the college process has become. "Weiss' critics don't seem to understand her point," writes Christine Powell at Newsday. "She's not arguing that lazy teenagers who barely scrape by or show little potential should be handed to Ivy Leagues." Critiquing the "just be yourself" advice is more than fair, as is "bemoaning the admissions process as misleading and skewed," says Powell. Weiss is highlighting that college admission "has become a game," writes Powell. "It's overly selective and seemingly random. For the mass of students who do well and take leadership applying to tough schools, there's little rhyme or reason to their acceptances and rejections."
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It's not so much that college admissions have become a game, than that cynicism has seeped into the whole process, writes Alexandra Petri at the Washington Post. The way the admissions process currently works encourages students to approach learning, volunteering, and various other positive activities solely as a means to gain acceptance to an elite university. "There's a difference between living right on the hopes of getting into Paradise and living right because you believe it's the right thing to do," writes Petri. "And these days it's impossible to tell." As a result, says Petri, by the time kids arrive at these great universities, "everyone stares blankly and says 'What's my motivation? I'm already IN college.'" Weiss' essay raises the question: Is it "more dangerous to be rewarded or punished for what you did in high school?"
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